2024-03-29T12:43:02Z
https://shedet.journals.ekb.eg/?_action=export&rf=summon&issue=13155
Shedet
2356-8704
2356-8704
2014
1
1
Coins Of The El-Salam City And Its Role In The Seljuk Abbasid Conflict After Malik Shah
Ahmed
TONY
This research deals with the coins of El-Salam city and its role in the Seljuk-Abbasid conflict after the death of the Seljuk Sultan Malik Shah, through the study of five Seljuk dinars. These Dinars preserved in YahyaJaffar Group in Emirates United Arab, had never studied before, including two Dinars with name of the Sultan Malik Shah: the first is dated in 485 AH (weighing 3.68 grams), the second is dated in 486 AH (weighing 4,50 grams), and the third dinar does not bear the name of the Sultan Seljuk, is dated in year 486 AH (weight 4.36 grams), and the fourth caries name of the Sultan Barakarq is dated in year 487 AH (weight 4.59 grams), the last one relates to Sultan, is dated in year 487AH.
2014
12
01
1
18
https://shedet.journals.ekb.eg/article_87565_2ce94312ca92eb72ea1e18bcc95cef07.pdf
Shedet
2356-8704
2356-8704
2014
1
1
The Mehmet Khalil Agha Mosque in the Greek city of Drama
Ahmed
Ameen
The paper investigates the Mehmet Khalil Agha Mosque in the Greek city of Drama as a case study highlights the existed Ottoman monuments in Greece; and draws as well the attention to preserve those which in need of restoration among which. It gives a brief historical layout of the city of drama under the Ottoman domination, specifically in light of EvliyaÇelebi description, and then notes the existed Ottoman monuments in Drama. It provides a detailed documentation of the Mosque in its current state including its fine wall-paintings and inscription.
Islamic Architecture
Ottoman architecture
mosques
Drama
Greece
Balkans
2014
12
01
19
34
https://shedet.journals.ekb.eg/article_87631_c891a883c6496ef33dfd5b014d3cd9cc.pdf
Shedet
2356-8704
2356-8704
2014
1
1
The Impact of Visual Pollution on Historic Buildings (Tlemcen City, Algeria: Model)
BoujlaibaFawzia
Souad
Pollution is one of the most recent environmental phenomena, and this phenomenon has received great attention from scientists, as the person is directly responsible for it because of the increase in activity and expansion, and what he has achieved from the development of industrial, technological, scientific, cultural, and civilizational especially in modern times. All of which affected the prevailing pattern of living and introduced a lot of renewal on the old city and its general plan and the resulting negative effects on archaeological sites.Pollution has types; among them is a visual pollution that is the subject of this article.We dealt with this problem by trying to research its meaning and sources and the reasons leading to it, while giving some models from the city of Tlemcen, west of Algeria.
Islamic Architecture
Algeria
Visual Pollution
Historic Buildings
Tlemcen
2014
12
01
35
50
https://shedet.journals.ekb.eg/article_87632_2330f344d7f6632a91c5d1d2674e307e.pdf
Shedet
2356-8704
2356-8704
2014
1
1
Restoration and Conservation of a Model of Archaeological Glass Objects Used for Medical Purposes. Museum of Islamic Art in Cairo: (Applied Study)
Rasha
Taha
Glass has been used for various purposes, including different medical purposes. The Museum of Islamic Art in Cairo contains many of these medical models. However, many damaging factors resulted in the deterioration and loss of such objects over time, as well as the self-damaging factors that stimulated the mechanical damage of these items. In view of the fact that these glass objects carry a history recorded on their surfaces that reflect the past with all its historical, artistic, humanitarian, and religious aspects, it is important to seek the best ways to preserve such precious items from extinction. The aim of this research is to study one of the models of this type of objects, and to use the best scientific methods based on a preliminary experimental restoration study including different cleaning and supporting processes.
Restoration
conservation
Medical Glass Objects
Islamic Art
2014
12
01
51
58
https://shedet.journals.ekb.eg/article_87633_fa92400e1aa31025a35b6e543f952848.pdf
Shedet
2356-8704
2356-8704
2014
1
1
Analytical Study for Coptic Wall Painting in Mazar El-Khorogin Bagawat Tombs – Wady El Gaded – Egypt
Abeer F.
ELHAGRASSY
Hemdan
EL METWALY
Fatma M.
HELMY
Sherif
EL- NAGDY
This research is to study the chemical composition of the wall paintings in Mazar El- Khorog in Bagawat tombs for the first time. The paper presents the mineral structure for the support, plaster and pigments by using SEM- EDS, XRD, FTIR, and DTA. The results show that the support is a Kaolinite (Al2Si2O5(OH)4) as a major mineral and both of Quartz (SiO2) and Gypsum (CaSO4.2H2O) as trace minerals.The thin layer of the plaster was contained Quartz addition to Gypsum and a little of Calcite (CaCO3).The white pigment was containing of a mix of Gypsum and a Dolomite powder (CaMg(CO3)2, the orange pigment was containing from Geothite (FeOOH), the brown pigment was containing from Hematite (Fe2O3) and Graphite (C ), The Black Pigment was a Graphite , and the Green Pigment was from the Celadonite.The result shows that the wall painting was prepared without medium which means that the wall painting technique is a Fresco Technique.
Coptic
Wall Painting
Fresco
Restoration
conservation
2014
12
01
59
78
https://shedet.journals.ekb.eg/article_87637_2dfdaeaeda354745c2997c86df97abe8.pdf
Shedet
2356-8704
2356-8704
2014
1
1
The Imamah concept and its Symbolism in light of the Fatimid Mihrabs: A New Perspective in the Context of the Shia Culture
Mohamed
UTHMĀN
Architecture attains important needs, among which are functional, aesthetic, and symbolic purposes. The latter identifies the the community needs and its individuals as well, and also illustrates these needs. This identity can be easily observed in the architectural and the artistic products of any civilization; like the prestige and the architecture of Temples. Islamic architecture is no exception, it was used to reflect various aspects of its owners as wealth, welfare, power, policy ... etc. in this context this paper focuses on illustrating the Imamah concept and its Symbolism in light of the Fatimid Mihrabs as an essential part of the Shia Culture.
Islamic Art
mosques
Fatimid
Mihrabs
Shi'a Culture
2014
12
01
79
119
https://shedet.journals.ekb.eg/article_87641_c30570ae821f2e07a2ca94a2d2620d8b.pdf
Shedet
2356-8704
2356-8704
2014
1
1
Beautifying tools from Deir El-Banat in Fayoum
Wazir W.
Abd el Wahab
The ancient Egyptians' interest in adornment dates back to prehistoric times, and this interest continued in historical times. This is evidenced by the rich tools, adornments, and utensils to preserve the materials of adornment, the papyri that tell us beauty recipes as well as the paintings on the walls of some tombs and coffins. The most important tools of adornment were mirrors, combs, Utensils Powders and tongs, perfume and fat pots, plates and adornment's spoons and it is noteworthy that most of these tools have been known since the pedantic, and has been known throughout the historical dynasties. This research focuses on a collection of ornaments found in Deir Al-Banat area in Fayoum.
2014
12
01
120
133
https://shedet.journals.ekb.eg/article_87652_a17cf89034ea311442dd1bf900f54198.pdf
Shedet
2356-8704
2356-8704
2014
1
1
MEDINET MADI, the town of Amenemhat III: Its new life as archaeological park in Fayum
Edda
Bresciani
Antonio
Giammarusti
The history of Medinet Madi “The city of the past” starts in the Middle Kingdom, in the beginning of the II millennium BCE, with the foundation, within anagricultural project in the Fayoum region, of a town called Dja, and the construction of atemple by Amenemaht III and Amenemaht IV dedicated to the cobra goddess Renenutetand the crocodile god “Sobek of Shedet” – patron of the entire region and its capitalShedet –“Horus who resides in Shedet”
Sobek of Shedet
Medinet Madi
cobra goddess
Amenemhat III
Fayoum
2014
12
01
1
9
https://shedet.journals.ekb.eg/article_87656_b89f9bd06c029633098ab2b397ffb9b9.pdf
Shedet
2356-8704
2356-8704
2014
1
1
The head of a young bearded man from Medinet Madi
In Medinet Madi, during ISSEMM 2 sand removal works1 in 2009, the head of a beardedman was found in the so-called North Cult Place (Pls.1-2), a depression in the north part of the Roman Square north of the main temple (Temple A+B).
Medinet Madi
Fayoum
head of a bearded-man
2014
12
01
10
17
https://shedet.journals.ekb.eg/article_87658_b5899ed273e1eaf053aebe4bd931fc93.pdf
Shedet
2356-8704
2356-8704
2014
1
1
Ethics of Egyptology and collecting: Who needs the past? National values and Egyptology
Ossama
ABDEL-MAGUID
Egyptology is a political endeavor as well as a science. Research questions are born in a political context and sometimes funded according to political agendas. Egyptology derives political clout from its ability to generate and legitimize myths about the human past that can ally people through investigates the range of ancient Egyptian culture, including the people, language, literature, history, religion, art, economics and architecture. In consequence of their power to create a bridge between the present and the past, Egyptologists are becoming increasingly aware of the ethical implications and consequences of their work
2014
12
01
18
25
https://shedet.journals.ekb.eg/article_87660_f9069f82bc9f28fac0838ce759906f1d.pdf
Shedet
2356-8704
2356-8704
2014
1
1
Coinage of Yahya Bin Ahmed: (The Origin and Imitation)
Atef
RAMADAN
Naṣr bin AHmed (301-331H. /913-943 A.D) Put his brothers AbūZakarayaYaHya, Abū ṢaleHManṣūr and AbūIsHaqʾIbrahīm, in prison of Bukhara citadel. When he left Bukhara to go to Naysabūr, they were able to escape with the assistance of a man called AbūBakr Al-Khabaz Al-ʾAsbahanī". When Al-SaaīdNaṣr bin AHmed was informed of the news about the revolution of his brothers under the leadership of AbūZakarayaYaHya, he moved from Naysabūr to Bukhara. AbūZakarayaYaHya gave the authority of GaīHūn River to AbūBakr Al-Khabaz but he could not face the army of Al-SaaīdNaṣr who captured him and crossed the river to Bukhara. He tortured Al-Khabaz then put him in the oven. Ibn Al-ʾAthīr mentioned that he was burnt , but Al-Kardizī mentioned that they left him in a fired oven for a night. The next day they dragged him and his body was not burnt, sothe people were astonished. Bartūld narrates: “The influence of Abū-Bakr on the public is reflected on the myth which claimed that his body was thrown in a flaming oven. When he was out the next day, he was found sound and was unharmed".
2014
12
01
26
43
https://shedet.journals.ekb.eg/article_87662_9b9aa83c76cef96ff88e4aab6a66ba3e.pdf
Shedet
2356-8704
2356-8704
2014
1
1
Treatment and Conservation of Six Egyptian Archaeological Stone Sarcophagi
Mohamed K.
KHALLAF
Ragab A.
MOHAMED
Tel El – Deir (tēlāl-dịr) is an archaeological site in Damietta governorate (Egypt), where many stone sarcophagi were excavated. This paper deals with the treatment and conservation processes of the selected six sarcophagi. Examinations and analyses of stone sarcophagi samples were studied using different scientific methods; firstly Petrography study by a polarizing microscope which shows that limestone consists mainly of calcite, beside fossils, iron oxides, clay minerals and some fine grained quartz. Secondly, scanning Electron Microscope (SEM) examination which shows that the crystals were worn out by the effect of the dissolving of some components, loose the binding materials between grains by the effect of salt crystallization, cavities and finally, micro cracks. Thirdly, X-Ray diffraction (XRD) analysis which shows that limestone consists of calcite, dolomite, and quartz in addition to halite traces. The restoration and conservation processes of these objects were carried out using mechanical cleaning, chemical cleaning, extraction of salts, the collecting of disintegration parts, completing of missing parts and consolidation and isolation processes.
2014
12
01
44
58
https://shedet.journals.ekb.eg/article_87664_fe008365b4e36bd2f8367a4b6c0cda4e.pdf